Excised several scenes to tighten my plot but I feel like I’ve sacrificed a bit of characterization in the process. Renamed the book because there’s a movie coming out about the Holodomor in the Ukraine and I don’t want the association. The new title is Tactical Pursuits.
Jogging through the second-draft pass and I can’t shake the feeling that the chapters don’t fit. I know that I’m telling two different stories in this novel – Eppis adjusting her life in preparation of ascension, and Ilo dying as motivation for Velto and Sofita to put aside their differences and work toward ascension. The subplot (at this point I should say, microplot) involves the Slavic Empire and that’s grounded in the Velto/Sofita portion of the book. Eppis/Ilo are connected by their brief complicity in the past, a partnership that afforded them the lives they lived up until now; tying them together at the end of the book is problematic because of a character death. Interweaving the narrative of these two distinct storylines works on television, but in prose, it just feels clunky.
I’m going to keep each storyline together via ‘Part I’ and ‘Part II’ separation, then fuse the stories together at the end.